I'm very happy that HMV has found a buyer after a very difficult few years of ups and downs. Some people are quick to dismiss the brand but I prefer to be hopeful about its future.
When I think of record shops from my younger days, my mind is filled with great memories of browsing through the racks. Although I'd regularly buy music magazines, I wasn't always aware of the current releases, so I'd often find records that I didn't know were out and there was a true joy in that moment of surprise.
In 2019, we don't experience the element of surprise and joy of waiting very often. We're living in an age where everything is instantaneous, so much so that you don't even need to leave your own bed to buy music.
In the eighties and nineties, I would spend entire days visiting record shops, often by myself. It was one of the few solitary acts that I really enjoyed. (Stop it, gutter minds) There were no distractions, no chit-chat, other than the interactions with the record shop staff. It is a far more rewarding activity than just clicking a button on a computer.
As much as I enjoy our online world, there is absolutely a place for record shops on the high streets in 2019. I'll tell you why and what I, a customer, would do. Please note that my comments are not necessarily about HMV. They're just general comments about the industry as a whole.
Communities
There is definitely a community of vinyl loving people that's waiting to be tapped into. Emphasis on the word 'community'. When I'm in some independent shops, there is a level of care and genuine love for the products from both staff and customers, and it's rare to see such enthusiasm. So, the question is, can HMV tap into those communities that already exist in the independent sector, and provide an environment where this community can flourish in an organic, not a 'forced' way?
Loyalty schemes are all very well but I don't necessarily think that's the best method for this industry. Often, people can become cynical of these schemes. I know I am.
What are the kind of events that people would come to?
In-store promotions and signing events are great but not all shops can support those. Time to get our thinking caps on? How do you engage with those communities to keep them coming back for more?
There's a very big geek (I mean that in the best possible way) community here that is ripe for the taking. Learn about the geeks. They LOVE their collections. These are proud people.
Make record shops hang-outs and the people will come and chat with others (not me obviously, I'm too miserable)... and stay...and PAY.
In-store design
For me, the best record shops are not necessarily the most shiny, neon lit, sterile disco spaces. I'm often shocked at how bad the lay-out can be. I don't necessarily think that every store in a chain should look or have the same layout. That might be part of the problem.
The shops with larger spaces need to think about how to utilise their assets. Perhaps the introduction of a cafe, with sofas where people can take a break and consider their purchases? Not overly designed but relaxed, chilled out spaces? Just an idea.
I like the idea of bringing listening posts back, but with a twist. Maybe a place where you sit with a coffee and plug you headphones into a display and hear a curated selection, partly chosen by store workers who know their stock and understand their local customers? Something along those lines to get people in to buy a coffee, to listen to a few tracks and become informed about artists and the stock that's in-store. Coffee culture is huge. Coffee and music go very well together. Communities and coffee and music - sounds good, huh?
There's also a joy in browsing - how can we make browsing better? Some of the display units aren't particularly great for fumbling through - we've all seen products packed in too tightly. Truly understand the joy of browsing and the experience for customers. Rows of CD shelves, marked into genres are frankly just not enough. What can improve that experience?
Just because you're a chain, it doesn't mean that you can't focus on the local needs of a community. Adapt to meet those needs.
Vinyl
So many people who experienced vinyl first time round have returned to their former love. It's fine to have a few racks of vinyl, but it's often not enough and I think HMV should consider expanding this area to become like the record shops of by-gone days. Make it a better experience by tapping into some of those memories from the past. One of the joys of vinyl is being able to hold it in your hand and to appreciate the artistry.
The collectors - Reissues and special editions
There is a huge market for collectors editions and reissues. The supermarket 'Sainsburys' has successfully created a limited edition vinyl series, but equally they've also managed to piss off many customers as availability is hard and typically, many people buy to sell on eBay. I love a reissue like the next person, but there are better ways to do this.
Price
In 2019, we need to get real about prices. So many items are vastly overpriced. Get your price right!
Know your competitors, know your customers
Really know your competitors. Know what works for them and don't necessarily try to emulate it, try to do better.
Really understand what the buying public want and expect. We want variety AND value for money. Don't ever lose those facts. Record shops shouldn't be about bright lights and flashy displays and installations; it's the products that get people through the door. Quality products and price all the way.
Sales are great, but for me, constantly seeing bright and brash 'sale' stickers everywhere (not just during the seasonal sale periods) is incredibly off-putting. It's tacky. How about getting your prices right in the first place?
In summary, things are looking up for HMV and I'm very happy that the UK has retained a nationwide, iconic brand. This time, I hope they really get it right because aside from the fantastic independent stores, supermarkets would then be the only other high-street source for physical items ....and that would be very sad indeed. See
Resources.
It's been 10 long years since Bananarama's last album. The follow-up to Viva has been a long time coming and fans were especially eager for new material after a particularly successful run of live shows over the last couple of years, which included the reunion tour of the decade, when Siobhan temporarily came back to the fold.
4. The track 'Love in Stereo' was previously a demo for MKS (ex of Sugababes)
8. Sara and Keren have possibly never sounded better
The iconic duo's acclaimed production, first presented at the Royal Opera House in 2016 over four sold-out shows, was reprised at the venue for a further four nights in July 2018 as part of their 'Super' tour. Staged by long-term PSB designer Es Devlin and choreographer/director Lynne Page, the show was filmed by director David Barnard. Filmed on 27 and 28 July 2018, the full-length film on DVD and Blu-ray is accompanied by two CDs of the complete audio of the live show plus a bonus feature of PSB live at Rock in Rio, which was recorded on 17 September 2017 at the Brazilian festival.
Meanwhile, just a few hours ago Bananarama performed to an enthusiastic audience in Los Angeles at 80's Weekend #7 at the Microsoft Theater.
Then recently, I went to see Kylie Minogue and the VIP area was so enormous (and not very full) that the positioning wasn't anywhere near as good as it perhaps should've been, despite the lengthy queuing.
Sadly, I don't have a time machine and you're now mourning that you won't be able to see me in high-waisted purple flares or the fetching jump suit that's pictured.
