Showing posts with label Single. Show all posts
Showing posts with label Single. Show all posts

Sunday, 10 February 2019

Bananarama: Cruel Summer vs Robert de Niro's Waiting

Over on twitter, the Bananarama Singles Battle is continuing....


Both songs are often mentioned in articles celebrating the most memorable songs from the eighties.  Which will you choose?

Cruel Summer (1983/84)


  • Cruel Summer is the 8th single featuring Bananarama, if you take into account their collaboration with Fun Boy Three and the Japan only single 'He's Got Tact'.  The song was recorded in 1983 and released in the UK in June of that year.
  • The now iconic video was filmed in New York and features the girls fixing a car, hijacking a truck and being chased by the NYPD.  The video ends with a dance competition on top of a building overlooking the New York skyline.
  • Famously, the song was featured in the classic eighties film, 'The Karate Kid' but not on the soundtrack album. It was released in the USA in 1984.
  • The song was a huge success all over the world reaching the top 10 in countries such as UK, France, Ireland, South Africa and the USA.
  • The song is often regarded as one of the best singles from the eighties having been placed in both VH1 and Billboard listings, amongst others.



Robert de Niros Waiting (1984)


  • Robert de Niro's Waiting is the second single from Bananarama's second album.
  • The video features a Robert de Niro look-a-like who is armed with a violin case, which is later revealed to contain pizza.
  • The single was produced in various versions; including separate picture discs and coloured vinyl versions.
  • Robert asked to meet them after hearing about the song.  He famously telephoned Bananarama and they initially didn't believe it was him!  Robert also 'allegedly' took a shine to one of them.
  • The song rose to number 3 in the UK charts, making it one of Bananarama's best performing and selling UK singles.


Tuesday, 5 February 2019

The fall and rise of high street record shops

I'm very happy that HMV has found a buyer after a very difficult few years of ups and downs.  Some people are quick to dismiss the brand but I prefer to be hopeful about its future.

When I think of record shops from my younger days, my mind is filled with great memories of browsing through the racks.  Although I'd regularly buy music magazines, I wasn't always aware of the current releases, so I'd often find records that I didn't know were out and there was a true joy in that moment of surprise.

In 2019, we don't experience the element of surprise and joy of waiting very often.  We're living in an age where everything is instantaneous, so much so that you don't even need to leave your own bed to buy music.

In the eighties and nineties, I would spend entire days visiting record shops, often by myself.  It was one of the few solitary acts that I really enjoyed. (Stop it, gutter minds) There were no distractions, no chit-chat, other than the interactions with the record shop staff.  It is a far more rewarding activity than just clicking a button on a computer.

As much as I enjoy our online world, there is absolutely a place for record shops on the high streets in 2019.  I'll tell you why and what I, a customer, would do.  Please note that my comments are not necessarily about HMV.  They're just general comments about the industry as a whole.

Communities
There is definitely a community of vinyl loving people that's waiting to be tapped into.  Emphasis on the word 'community'.  When I'm in some independent shops, there is a level of care and genuine love for the products from both staff and customers, and it's rare to see such enthusiasm.  So, the question is, can HMV tap into those communities that already exist in the independent sector, and provide an environment where this community can flourish in an organic, not a 'forced' way?

Loyalty schemes are all very well but I don't necessarily think that's the best method for this industry.  Often, people can become cynical of these schemes. I know I am.

What are the kind of events that people would come to?

In-store promotions and signing events are great but not all shops can support those.  Time to get our thinking caps on?  How do you engage with those communities to keep them coming back for more?

There's a very big geek (I mean that in the best possible way) community here that is ripe for the taking.  Learn about the geeks.  They LOVE their collections.  These are proud people.

Make record shops hang-outs and the people will come and chat with others (not me obviously, I'm too miserable)... and stay...and PAY.

In-store design
For me, the best record shops are not necessarily the most shiny, neon lit, sterile disco spaces. I'm often shocked at how bad the lay-out can be.  I don't necessarily think that every store in a chain should look or have the same layout.  That might be part of the problem.

The shops with larger spaces need to think about how to utilise their assets.  Perhaps the introduction of a cafe, with sofas where people can take a break and consider their purchases?  Not overly designed but relaxed, chilled out spaces?  Just an idea.

I like the idea of bringing listening posts back, but with a twist. Maybe a place where you sit with a coffee and plug you headphones into a display and hear a curated selection, partly chosen by store workers who know their stock and understand their local customers?  Something along those lines to get people in to buy a coffee, to listen to a few tracks and become informed about artists and the stock that's in-store.  Coffee culture is huge.  Coffee and music go very well together.  Communities and coffee and music - sounds good, huh?

There's also a joy in browsing - how can we make browsing better? Some of the display units aren't particularly great for fumbling through - we've all seen products packed in too tightly.  Truly understand the joy of browsing and the experience for customers.  Rows of CD shelves, marked into genres are frankly just not enough.  What can improve that experience?

Just because you're a chain, it doesn't mean that you can't focus on the local needs of a community.  Adapt to meet those needs.

Vinyl
So many people who experienced vinyl first time round have returned to their former love.  It's fine to have a few racks of vinyl, but it's often not enough and I think HMV should consider expanding this area to become like the record shops of by-gone days.  Make it a better experience by tapping into some of those memories from the past.  One of the joys of vinyl is being able to hold it in your hand and to appreciate the artistry.

The collectors - Reissues and special editions
There is a huge market for collectors editions and reissues. The supermarket 'Sainsburys' has successfully created a limited edition vinyl series, but equally they've also managed to piss off many customers as availability is hard and typically, many people buy to sell on eBay. I love a reissue like the next person, but there are better ways to do this.

Price
In 2019, we need to get real about prices. So many items are vastly overpriced.  Get your price right!

Know your competitors, know your customers
Really know your competitors. Know what works for them and don't necessarily try to emulate it, try to do better.

Really understand what the buying public want and expect. We want variety AND value for money. Don't ever lose those facts.  Record shops shouldn't be about bright lights and flashy displays and installations; it's the products that get people through the door.  Quality products and price all the way.

Sales are great, but for me, constantly seeing bright and brash 'sale' stickers everywhere (not just during the seasonal sale periods) is incredibly off-putting.  It's tacky.  How about getting your prices right in the first place?


In summary, things are looking up for HMV and I'm very happy that the UK has retained a nationwide, iconic brand.  This time, I hope they really get it right because aside from the fantastic independent stores, supermarkets would then be the only other high-street source for physical items ....and that would be very sad indeed. See Resources.

Wednesday, 23 January 2019

Nerina Pallot: A secret

I'm quite selfish.

Is it bad that I don't want Nerina Pallot to reach the heady heights of uber stardom?  I like that she does intimate gigs and I feel superior when I can sing along to the lyrics of my favourite obscure Nerina tracks.

Nerina's released 6 albums in total, but my favourite is her most recent, 'Stay Lucky' with its beautiful title track and the stand out song 'Man Didn't Walk on the Moon'.  A song with Fleetwood Mac charm that had me immediately hooked (see video, below).


Nerina's shows are always a fun affair. You get songs, the occasional joke, tales of family life and perhaps bravely, Brexit was even discussed at the last gig I went to.

So, listen to the song, check out Nerina's catalogue covertly and appreciate her fabulous talent - but don't you dare make her a huge star!  I realise that sentiment is fucked up.... *looks for emoji of a man shrugging his shoulders*

Wednesday, 26 September 2012

Update: 'Now or Never" EP

If you've bought the new EP, you would be wise to keep hold of your purchase receipts as you will be able to claim a bonus track.


So, check in with http://www.bananarama.co.uk soon for details of how to claim!

The tracks are going down a storm with fans!

Tuesday, 25 September 2012

Bananarama - 'Now or Never' EP


Bananarama's brand new EP, 'Now or Never' has made its way on Amazon' MP3 store and iTunes!

The tracklisting is as follows:

1. Now or Never
2. La La Love
3. Moves Like Jagger
4. Now or Never (Extended Mix)


Of course, 'Moves Like Jagger' is a cover of the Maroon 5 song, but this version is very electronic and an interesting spin of the massive global hit!

All of the songs have been produced by the fabulous Ian Masterson, who of course produced 'Viva' amongst other tracks. 

Monday, 18 June 2012

Venus (The Hellfire Mix 12")


Isn't this cover artwork great?  Stills from the video.  Fabulous.